"Jhamke Fuli" is a dearest Nepali people tune that has carved itself into the social texture of Nepal. Performed by a skilled gathering of vocalists — Tirtha Kumari Thapa, Rabindra Basnet, Tara Suwal, Rachana G C, and Dhruba Khadka — the melody highlights in the
This blog entry will investigate the expressive excellence,
social importance, and the enduring effect of the melody. We'll likewise dive
into the commitments of the specialists in question and the job of Nepali Lok
Geet (people melodies) in forming the melodic scene of Nepal.
1. The Rich History of Nepali People Music
Nepali people music, or Lok Geet, has been a vital piece of
the nation's way of life for a really long time. These tunes catch the day to
day existence, customs, and opinions of the Nepali public, filling in as a
window into the social and profound existences of the local area. People music
in Nepal frequently manages subjects of affection, nature, battles, and
festivities.
During the 1980s, the people music scene in Nepal saw a
resurgence, because of both customary specialists and new gifts. During this
time, collections like Nepali Lok Geet 2, which highlighted "Jhamke
Fuli," assumed a critical part in safeguarding and advancing Nepali people
music. These melodies were not simply diversion; they likewise went about for
the purpose of social articulation, mirroring the core of Nepali personality.
2. Understanding the Verses of "Jhamke Fuli"
The title "Jhamke Fuli" alludes to a blossom that
sprouts in the jhamke, a term utilized in Nepali to portray a region that is
rich and green with wildflowers. The actual melody addresses the
straightforwardness and excellence of nature, while likewise communicating the
subjects of affection and yearning.
The verses are wealthy in idyllic symbolism, contrasting the
sprouting of blossoms with the blooming of affection. Through representations,
the melody conveys a profound close to home association between the vocalist
and the subject of their love. It conjures sensations of wistfulness,
immaculateness, and longing, feelings that are frequently connected with rustic
life in Nepal, where nature and human feelings are entwined.
“झम्के
फुली नाकैमा बुलाकी “
स्वर:सुनिता दुलाल
झम्के
फुली नाकैमा बुलाकी
यसपाली
त घरबार होलाकी
झम्के
फुली नाकैमा बुलाकी
यसपाली
त घरबार होलाकी
झम्के
फुली नाकैमा बुलाकी
यसपाली
त घरबार होलाकी
घरको
छानो बर्खामा चुहिदैन
जान्छु
आजै नछुटोस् साथ कहिले
यो चालले घरबार हुदैन
है घरको छानो बर्खामा
चुहिदैन
यो चालले घरबार हुदैन
घरको
छानो बर्खामा चुहिदैन
यो चालले घरबार हुदैन
पटुकी
ले कम्मरमा बानेर
लैजाउ
कित मैयालाई तानेर
पटुकी
ले कम्मरमा बानेर
लैजाउ
कित मैयालाई तानेर
आलु
बोडी तरकारी खानलाई
ह्याउ
छैन तानेर लानलाई
आलु
बोडी तरकारी खानलाई
ह्याउ
छैन तानेर लानलाई
बैस
छन्जेल नबस गम्केर
तानुला
नि अगाडि लम्केर
बैस
छन्जेल नबस गम्केर
तानुला
नि अगाडि लम्केर
बैस
छन्जेल नबस गम्केर
तानुला
नि अगाडि लम्केर
पानी
पर्यो बिजुली चम्केर
के काम छु र
नबस्नु गम्केर
है पानी पर्यो बिजुली
चम्केर
के काम छु र
नबस्नु गम्केर
पानी
पर्यो बिजुली चम्केर
के काम छु र
नबस्नु गम्केर
छोरीलाई
माइतीमा ठाउछैन
कस कम्मर पछीलाई पाइदैन
छोरीलाई
माइतीमा ठाउछैन
कस कम्मर पछीलाई पाइदैन
लाउन
खान गरेर मन परि
बस्छौ
हामी बाबु कै घर
गरी
लाउन
खान गरेर मन परि
बस्छौ
हामी बाबु कै घर
गरी
जाने
भए उमेरमै ख्याल गर
होला
पछी आसुको नौधारा
जाने
भए उमेरमै ख्याल गर
होला
पछी आसुको नौधारा
जाने
भए उमेरमै ख्याल गर
होला
पछी आसुको नौधारा
हातै
काट्यो काचको चुराले
चित्त
बुझ्यो दाई तिम्रो कुराले
है हातै काट्यो काचको
चुराले
चित्त
बुझ्यो दाई तिम्रो कुराले
हातै
काट्यो काचको चुराले
चित्त
बुझ्यो दाई तिम्रो कुराले
सिलु
तोरी जुराइ साइत
जाउत
आज नबस माइत
सिलु
तोरी जुराइ साइत
जाउत
आज नबस माइत
सिलु
तोरी जुराइ साइत
जाउत
आज नबस माइत
घाम
लाग्यो भाग्यमा दाई अहिले
जान्छु
आजै नछुटोस् साथ कहिले
घाम
लाग्यो भाग्यमा दाई अहिले
जान्छु
आजै नछुटोस् साथ कहिले
सिलु
तोरी जुराइ साइत
जाउत
आज नबस माइत
घाम
लाग्यो भाग्यमा दाई अहिले
जान्छु
आजै नछुटोस् साथ कहिले
सिलु
तोरी जुराइ साइत
जाउत
आज नबस माइत
है घाम लाग्यो भाग्यमा
दाई अहिले
जान्छु
आजै नछुटोस् साथ कहिले
3. The Specialists Behind the Tune
Tirtha Kumari Thapa: Brought into the world in 2007 BS,
Tirtha Kumari Thapa is a praised figure in the Nepali music industry. She
started her melodic excursion as a keep craftsman for Radio Nepal in 2028 BS.
Over her distinguished lifetime, she has sung in excess of 1,000 people tunes
in different dialects, including Nepali and Nepal Bhasa. Her profound,
heartfelt voice has caught the hearts of many, and her melodies like Mama Ta
Khandina Kuwako Pani and Jhamke Fuli are famous in Nepali society music.
Rabindra Basnet: Rabindra Basnet is one more conspicuous
name in the realm of Nepali people music. His coordinated effort in
"Jhamke Fuli" carried a remarkable flavor to the melody. Known for
his adaptable vocal abilities, Basnet has been important for some fruitful
people music projects, adding to the extravagance of Nepali Lok Geet.
Tara Suwal: Tara Suwal's contribution in Jhamke Fuli raised
the melody's emotive articulation. With her smooth, melodic voice, she has been
a fundamental piece of Nepali people music, adding layers of profundity to the
arrangements she sings.
Rachana G C: Rachana G C is one more skilled voice
highlighted in the tune. She has procured acknowledgment for her reasonable,
melodic vocals that resound profoundly with audience members. Her commitment to
Jhamke Fuli brought a feeling of congruity and association with the people
customs.
Dhruba Khadka: As a vocalist and music writer, Dhruba
Khadka's presence in the melody added a particular flavor. Known for his
capacity to mix conventional Nepali sounds with current components, Khadka
assumed a critical part in molding the soundscape of Nepali Lok Geet 2.
Together, these five capable craftsmen brought "Jhamke
Fuli" to life, making it a champion piece in Nepali society music history.
4. The Social Meaning of "Jhamke Fuli"
"Jhamke Fuli" is something beyond a tune; it is a
close to home impression of Nepali rustic life. The verses summon symbolism of
the normal excellence tracked down in the slopes and valleys of Nepal, where
blossoms sprout and love develops. The tune impacts any individual who has at
any point felt a profound association with nature or encountered the
unadulterated feelings of affection and yearning.
In Nepali culture, tunes like "Jhamke Fuli" are
vital to celebrations, social events, and family festivities. Society music
assumes a fundamental part in joining networks, and tunes, for example, this
one unite individuals to celebrate shared values and customs. Throughout the
long term, Jhamke Fuli has been highlighted in numerous social affairs,
frequently performed at weddings, social projects, and during the reap season.
The tune likewise addresses the persevering through allure
of Nepali society music in the advanced period. While the music scene in Nepal
has developed with the ascent of pop and present day kinds, the fame of
customary melodies like "Jhamke Fuli" helps us to remember the
significance of saving the country's social roots. Through tunes like these,
more youthful ages are acquainted with the rich legacy of Nepali society music,
guaranteeing that it keeps on flourishing.
5. The Tradition of Tirtha Kumari Thapa and Her Effect on Nepali Music
Tirtha Kumari Thapa's vocation is a demonstration of the
getting through force of society music in Nepal. As perhaps of the most
regarded voice in Nepali music, Thapa has sung a wide assortment of tunes,
going from heartfelt ditties to melodies of social and social importance. Her
voice has become inseparable from Nepali society music, and she keeps on
rousing new ages of performers.
With north of 1,000 melodies to her name, Thapa's
commitments to Nepali music are endless. Tunes like Jhamke Fuli are not simply
exhibitions; they are social achievements. Thapa's capacity to pass feeling on
through her music has assisted her make a profound association with her crowd,
making her perhaps of the most valued figure in Nepali melodic history.
6. Nepali Society Music in the Advanced Period
While the impact of Western popular music and present day
kinds has filled in Nepal, society music remains profoundly settled in the
country's social mind. Tunes like "Jhamke Fuli" are verification of
the proceeded with significance of customary music in the existences of Nepali
individuals. The melody has been gone down through ages and keeps on being
appreciated by both more established and more youthful audience members.
The cutting edge Nepali music scene has seen a combination
of customary society components with contemporary sounds, and this mixing of
styles has brought forth new classes while as yet keeping the quintessence of
Nepali Lok Geet alive. In numerous ways, melodies like "Jhamke Fuli"
address the scaffold between the past and the present, regarding custom while
embracing advancement.
7. End: Why "Jhamke Fuli" Perseveres
"Jhamke Fuli" is a wonderful illustration of the
force of society music to rise above overall setting. With its expressive
excellence, heartfelt exhibitions, and profound social reverberation, the
melody keeps on major areas of strength for summoning and recollections for
audience members. It fills in as a sign of the significance of saving the rich
social legacy of Nepal while likewise commending the new melodic developments
that keep on arising.
The tradition of specialists like Tirtha Kumari Thapa,
Rabindra Basnet, Tara Suwal, Rachana G C, and that's what dhruba Khadka
guarantees "Jhamke Fuli" will stay a significant piece of Nepali
melodic history. However long individuals keep on singing, pay attention to,
and see the value in these immortal tunes, Nepali people music will stay a
dynamic and essential piece of the country's character.
All in all, "Jhamke Fuli" is something beyond a
people melody; it is an image of the persevering through excellence of Nepali
music and culture, everlastingly valued by ages to come.
