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The Iconic Narayan Gopal and His Timeless Song "Mohani Laagla Hai" Lyrics and Chords

The Iconic Narayan Gopal and His Timeless Song "Mohani Laagla Hai" Lyrics and Chords

 

Narayan Gopal Gurubacharya, all the more broadly known as Narayan Gopal, is a name that resounds in the core of each and every music devotee in Nepal. He is all the more ordinarily alluded to as "Swar Samrat"- that is, "Ruler of Voice"- and has proactively made a permanent imprint in Nepali music history. The soulful voice of full-of-feelings Narayan Gopal has captured the hearts of millions, and his contribution to Nepali music makes him yet another eternal cultural icon. Among many favorite songs, his song "Mohani Laagla Hai" is always cherished by his older and younger listeners. In this blog, we talk about the life and musical journey of Narayan Gopal and the importance of the iconic song "Mohani Laagla Hai."

     

    Early Life and Background

    Narayan Gopal was brought into the world on October 4, 1939, in Kathmandu, Kilagal Tole, to a customary Newar family. Among the five siblings and three sisters, he was the one to focus on. His dad, Asha Gopal Guruacharya, was a traditional performer and has stayed confident about Narayan Gopal to be one more rendition of him. What's more, much to his dad's fulfillment, Narayan Gopal revealed a distinct fascination with music right from his life as a youngster, and this adoration for music developed further as he grew up. He effectively passed his SLC in the year 2016 B.S. Then, at that point, he joined Tri-Chandra School to read up for a Four year certification in liberal arts Certificate in Humanities. Afterward, he went to Maharaja Sayajirao College of Baroda in India to concentrate on Indian Old style music and never returned after he left.ic history.

     

    Narayan Gopal married Pemala Lama in 1971, one of his admirers from Darjeeling when he was aged thirty years, but they didn't have children. Ups and downs didn't reduce the love for music, though. All his life, Narayan Gopal was committed to upgrading Nepali music, thus inspiring thousands of young budding musicians who wanted to emulate him.

    G

    Mohani laagla hai gaaunle ko boli le

    Am                                  F

    Danda kanda chahara ko geet le

    G                              Am

    Khyal thata nagara aljhela bagara

    Am                       G    Am

    Birsane lai samnjhana ko geet le

    Am                       G

    Birsane lai samnjhana ko geet le ( x 2)

     

     

    G                             Am             G

    Kun sanjog hola kun daiba hola bhet bhayo bagara

    G                           Am              G

    Kuna gaaun hola kun thaaun hola basne kun sahara ( x 2)

    G

    Yo mana udyo juoon tara chuna joon tara taado cha

    Am                                        F

    Akaashai baadhna sajilo man baadhna gaaro cha

    G

    Yo mana udyo juoon tara chuna joon tara taado cha

    Am                                            F

    Maya le mana badhhiye pachi phukaauna garo cha

     

    G                                    Am             G

    Samjhana rahala aajha ko saanjha ramailo bhet ghaat

    G                                       Am             G

    Manako kura nalukai bhana dui bachan haamro cha ( x 2)

     

    The Birth of a Music Career

    Musical journey of Narayan Gopal: Interestingly, Narayan Gopal's musical journey began in an interesting way. His friends Manik Ratna Sthapit and Prem Dhoj Pradhan were the first people who recognized his musical talent. Three of them used to go to Manik Ratna's residence where they would practice singing Hindi songs. When Narayan Gopal passed the SLC exams, Prem Dhoj Pradhan took him to Radio Nepal for a voice test, where he sang "Panchi ko pankha ma dharti ko diyo". Narayan Gopal cleared in his first attempt and a promising career began.

     

    His first public musical performance was during the 40th anniversary of Tri-Chandra College, wherein he played the role of tabla player. From here to the "Swar Samrat" position, it had been a long journey with hard work, dedication, and love for music.

     

    The Rise to Fame

    After his voice became popular, Narayan Gopal started working with his friends and wrote songs in his own voice. He wrote six original songs-the lyrics were written by a contemporary poet, Ratna Shumsher Thapa. His songs were then recorded in Kolkata, India, and soon they became popular in Nepal and the Indian subcontinent.

     

    Narayan Gopal made a name in Nepali musical history for making listeners feel strong emotions in his songs: love, longing, and patriotism. Songs such as "Jhareko Paat Jhai," "Yo Samjhine Man Cha," and "Saawan ko jhari bani" still resound in the hearts of listeners today. His collaborations with other great composers such as Gopal Yonzon, Natikaji, Amber Gurung, and Divya Khaling brought alive some eternal Nepali songs. All these legends together took Nepali music to a newer height, and Narayan Gopal's voice itself was a brand for emotion and excellence.

     

    Mohani Laagla Hai: Song that Touched Millions

    One of the most iconic songs performed by Narayan Gopal is "Mohani Laagla Hai." This song is just one example of his ability to reach into the hearts of those listening with his strong, yet subtle voice. Fascination, love, and regard are fully packed in the lyrical and melodious song "Mohani Laagla Hai" to express the very essence of feelings one goes through while being enchanted by somebody or something. The song has remained a household favorite in several gatherings and concerts as well as has become part of the favorites lists of fans who believe in the beauty of the voice of Narayan Gopal.

     

    The lyrics of "Mohani Laagla Hai" reach out to describe someone who feels spellbound by another's presence; the magic is in the air, and the song creates emotions-a stark contrast to the skill of the singer Narayan Gopal. His vocal range allowed him to sing this song in such a way that it touched the feelings of the listener, making it an evergreen song across generations.

     

    Narayan Gopal was a multi-skilled musician. Though he is best known as a singer, he was also a good music composer/music director. A few songs are composed by himself, and many known singers-such as Tara Devi and Phatteman Rajbhandari-recorded his compositions. He was also very much engaged with the editing job for the musical journal "Bageena" and held various positions in cultural institutions like Rastriya Naach Ghar, where he worked as a manager, and Lalit Kala Campus, where he had the position of Associate Professor.

     

    Apart from music, Narayan Gopal had a number of other versatile aspects: he was interested in photography, loved to watch football, and was also an accomplished chess player. This multi-faceted personality made him popular not just within the music circle but beyond.

     

    Contribution to Nepali Music

    Narayan Gopal's contribution to Nepali music is beyond words. His songs are often rich in deep emotions, arousing resonance across different walks of life. He had an unmatched ability in capturing the essence of human experiences related to love, heartbreak, patriotism, and hope. His songs became anthems for many moments of people's lives; many of his songs were used in films, dramas, and other cultural productions.

     

    But the most relevant collaboration was between Narayan Gopal and Gopal Yonzon, which gave birth to some of the most exquisite and enduring songs in Nepali music. His songs, so rich in melody and meaning, are still cherished today, and many aspiring singers look back toward the works of Narayan Gopal for inspiration.

     

    Awards and Recognition

    Narayan Gopal was bestowed with various awards and honors in recognition of his talent and contribution to Nepali music. Among the many awards he received included Best Composition and Best Singer by Radio Nepal, the Ratna Record Award, the Gorkha Dakshin Bahu Fourth, the Indra Rajya Laxmi Award, the Chhinalata Award, the Jagadamba Shree, and many more. These awards were indicative of his vast popularity and his significant contribution to the world of music.

     

    The most significant musical performance of Narayan Gopal was his concert "Swornim Sandhya," held in the Royal Nepal Academy Hall in 1990. That was his final and most popular musical event, which described his immense talent and love for music. And just a few months later, the music world lost one of the brightest stars.

     

    The Tradition of Narayan Gopal

    Narayan Gopal died on December 5, 1990, because of entanglement of diabetes at 51 years old. It was a colossal misfortune for Nepal, and the remarkable convergence of fans and well-wishers to show regards to the left vocalist plentifully exhibited how much this craftsman was cherished. There were many recognized members in his burial service, and there was a colossal turnout by the public-a proof of the affection and regard that individuals had towards him.

     

    Indeed, even a very long while after his passing, his tunes actually reverberation in the hearts of millions. Narayan Gopal is believed to be an immortal singer whose music is beyond time and will still go on inspiring new generations. His cassettes and CDs along with digital recordings remain hot sales in Nepal, and many young singers keep him as a role model.

     

    Narayan Gopal is an institution in Nepali music culture, and his influence can be seen in many modern-day artists. A legend, his work-ethic, passion, and talent have gone hand in glove in bringing him to this stature, making his songs the treasure of Nepali culture.

     

    Conclusion: Remembering Narayan Gopal and "Mohani Laagla Hai"

    Narayan Gopal was not only a singer but also a cultural icon, an inspiration, and a beacon of hope for Nepali music. His voice would move people, and his songs were full of depth and meaning. "Mohani Laagla Hai" is one of those many songs that show his immense talent in connecting with audiences on an emotional level.

     

    Yet, his music lives on to this day, and his songs continue to inspire and entertain people of all ages. He will be remembered always as Swar Samrat-or the Emperor of Voice-and his contributions to Nepali music will never be forgotten. To any lover of Nepali music, his songs stand in testimony to the beauty of melody and emotion, the power of a voice which time cannot touch.


    Reference

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