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Lyrics and Chords of Abhaya Subba's Songs

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Lyrics and Chords of Abhaya Subba's Songs

 Abhaya Subba's songs are a tapestry woven from the threads of her personal experiences, social observations, and artistic vision. With a lyrical style that is both introspective and socially conscious, Abhaya explores themes of identity, empowerment, and social justice. Her lyrics are often poetic and evocative, drawing listeners into a world of raw emotion and profound reflection. Accompanied by the rich melodies and intricate chord progressions of her music, Abhaya's songs are a testament to her musical prowess and creative depth. From anthems of empowerment to poignant ballads of love and loss, each song is a window into the soul of an artist unafraid to confront the complexities of the human experience.

Abhaya Subba: The Trailblazing Voice of Nepali Rock

In the vibrant tapestry of Nepali music, few voices resonate with the same boldness and innovation as that of Abhaya Subba. As the frontwoman of the iconic rock band Abhaya & the Steam Injuns, she has carved a path through the industry, challenging norms, inspiring countless others, and leaving an indelible mark on the Nepali music scene.

Early Beginnings and Musical Awakening

Abhaya Subba's journey into the world of music began long before she took center stage as a rockstar. Born and raised in Nepal, her love for music was fostered by her father, who ignited her passion from a young age. With a supportive family behind her, Abhaya embarked on a journey that would see her become a pioneer in Nepali rock music.

Her formal education took her to St. Xavier's College in Mumbai, where she pursued a degree in law. Yet, it was the call of music that truly captured her heart. During her time in India, she became involved with local bands like Parikrama, Red Skywalkers, and Panchatatva, honing her craft and laying the groundwork for her future endeavors.

Breaking Barriers and Forging a Path

Abhaya's ascent in the music industry was not without its challenges. In a landscape dominated by male voices, she stood out as a rare female presence in the world of rock music. Undeterred by the lack of representation, she blazed a trail, breaking stereotypes and defying expectations every step of the way.

It was in 2003 that Abhaya took the leap and formed her own band, Abhaya & the Steam Injuns. This bold move marked the beginning of a new chapter in her musical journey—one defined by creativity, passion, and unwavering determination.

With a lineup of talented musicians by her side, including Rinchen Palzar, Nabin Lama, Birat Shrestha, and Ajit Tamang, Abhaya set out to redefine the Nepali music scene. Their fusion of blues, rock, and contemporary influences captivated audiences, earning them widespread acclaim and recognition.

A Musical Odyssey: From Acclaim to Adversity

The journey of Abhaya & the Steam Injuns has been one of highs and lows, triumphs and tribulations. From their humble beginnings playing live gigs in hotels and bars to gracing international stages, the band has left an indelible mark on the global music landscape.

Their self-titled debut album, released in 2005, sent shockwaves through the Nepali music scene, introducing audiences to a bold new sound. Songs like 'Hami Sabai Nepali' became anthems of empowerment, resonating with listeners across generations.

The success of their debut was followed by the groundbreaking album 'Nayan' in 2008, further solidifying their reputation as trailblazers of Nepali rock. Awards and accolades poured in, cementing their status as one of the country's premier musical acts.

However, the path to success was not without its obstacles. Despite their achievements, Abhaya and her bandmates faced skepticism and resistance from within the industry. As a female-fronted band in a male-dominated industry, they had to fight twice as hard for recognition and respect.

Yet, through it all, Abhaya remained undaunted, driven by a passion for music and a commitment to her craft. Her resilience in the face of adversity serves as a testament to her unwavering dedication and determination.

Beyond the Stage: Empowering Women in Music

For Abhaya, music is more than just a creative outlet—it's a platform for social change and empowerment. In 2003, she founded the 'Women in Concert' initiative, aimed at providing aspiring female musicians with the support and resources they need to succeed in the industry.

Through workshops, mentorship programs, and live performances, 'Women in Concert' has become a beacon of hope for countless aspiring artists, helping to break down barriers and pave the way for a more inclusive and diverse music scene.

Abhaya's commitment to empowering women in music reflects her broader vision of a world where creativity knows no bounds and where every voice is heard and celebrated.

A Legacy of Innovation and Inspiration

As Abhaya Subba continues to push the boundaries of Nepali music, her legacy grows ever stronger. From her early days as a budding musician to her current status as a rock icon, she has remained true to her vision, unapologetically forging her own path and inspiring others to do the same.

Through her music, her advocacy, and her unwavering commitment to her art, Abhaya Subba has left an indelible mark on the Nepali music scene and beyond. Her journey is a testament to the power of perseverance, passion, and the unyielding belief in the transformative power of music.

 

Abhaya Subba: The Trailblazing Voice of Nepali Rock

In the vibrant tapestry of Nepali music, few voices resonate with the same boldness and innovation as that of Abhaya Subba. As the frontwoman of the iconic rock band Abhaya & the Steam Injuns, she has carved a path through the industry, challenging norms, inspiring countless others, and leaving an indelible mark on the Nepali music scene.

Early Beginnings and Musical Awakening

Abhaya Subba's journey into the world of music began long before she took center stage as a rockstar. Born and raised in Nepal, her love for music was fostered by her father, who ignited her passion from a young age. With a supportive family behind her, Abhaya embarked on a journey that would see her become a pioneer in Nepali rock music.

Her formal education took her to St. Xavier's College in Mumbai, where she pursued a degree in law. Yet, it was the call of music that truly captured her heart. During her time in India, she became involved with local bands like Parikrama, Red Skywalkers, and Panchatatva, honing her craft and laying the groundwork for her future endeavors.

Breaking Barriers and Forging a Path

Abhaya's ascent in the music industry was not without its challenges. In a landscape dominated by male voices, she stood out as a rare female presence in the world of rock music. Undeterred by the lack of representation, she blazed a trail, breaking stereotypes and defying expectations every step of the way.

It was in 2003 that Abhaya took the leap and formed her own band, Abhaya & the Steam Injuns. This bold move marked the beginning of a new chapter in her musical journey—one defined by creativity, passion, and unwavering determination.

With a lineup of talented musicians by her side, including Rinchen Palzar, Nabin Lama, Birat Shrestha, and Ajit Tamang, Abhaya set out to redefine the Nepali music scene. Their fusion of blues, rock, and contemporary influences captivated audiences, earning them widespread acclaim and recognition.

A Musical Odyssey: From Acclaim to Adversity

The journey of Abhaya & the Steam Injuns has been one of highs and lows, triumphs and tribulations. From their humble beginnings playing live gigs in hotels and bars to gracing international stages, the band has left an indelible mark on the global music landscape.

Their self-titled debut album, released in 2005, sent shockwaves through the Nepali music scene, introducing audiences to a bold new sound. Songs like 'Hami Sabai Nepali' became anthems of empowerment, resonating with listeners across generations.

The success of their debut was followed by the groundbreaking album 'Nayan' in 2008, further solidifying their reputation as trailblazers of Nepali rock. Awards and accolades poured in, cementing their status as one of the country's premier musical acts.

However, the path to success was not without its obstacles. Despite their achievements, Abhaya and her bandmates faced skepticism and resistance from within the industry. As a female-fronted band in a male-dominated industry, they had to fight twice as hard for recognition and respect.

Yet, through it all, Abhaya remained undaunted, driven by a passion for music and a commitment to her craft. Her resilience in the face of adversity serves as a testament to her unwavering dedication and determination.

Beyond the Stage: Empowering Women in Music

For Abhaya, music is more than just a creative outlet—it's a platform for social change and empowerment. In 2003, she founded the 'Women in Concert' initiative, aimed at providing aspiring female musicians with the support and resources they need to succeed in the industry.

Through workshops, mentorship programs, and live performances, 'Women in Concert' has become a beacon of hope for countless aspiring artists, helping to break down barriers and pave the way for a more inclusive and diverse music scene.

Abhaya's commitment to empowering women in music reflects her broader vision of a world where creativity knows no bounds and where every voice is heard and celebrated.

A Legacy of Innovation and Inspiration

As Abhaya Subba continues to push the boundaries of Nepali music, her legacy grows ever stronger. From her early days as a budding musician to her current status as a rock icon, she has remained true to her vision, unapologetically forging her own path and inspiring others to do the same.

Through her music, her advocacy, and her unwavering commitment to her art, Abhaya Subba has left an indelible mark on the Nepali music scene and beyond. Her journey is a testament to the power of perseverance, passion, and the unyielding belief in the transformative power of music.

n the world of Nepali music, Abhaya Subba's songs stand as powerful testaments to her creativity, passion, and unwavering commitment to her craft. With lyrics that speak to the human experience and chords that resonate with emotion, her music has captivated audiences and inspired countless listeners. From anthems of empowerment to songs of love and longing, Abhaya's lyrics and chords weave together to create a tapestry of sound that transcends language and culture. As she continues to push the boundaries of creativity and innovation, her songs will undoubtedly continue to resonate with audiences for generations to come.

 

Laijau Malai 

Aahaa Haa Haa Haa Haa Hai, Laijau Malai
Katai Kahi Tadha Tadha
Aahaa Laijau Malai
Katai Kahi Tadha Tadha
Thaki Sake Kurda Kurdai
Aljhiyeka Sapana Pyara

Terange Aanga Aanga Pichiro Mangha
(Laijau Malai Jaau Tadha)
Ninwamba Paanha Yarika Wa Pa Ma
Maanko Kura Dherai Cha Garnu Bhannu

Aahaa Haa Haa Hai Timi Ra Ma
Jaau Katai Tadha Tadha
Sakdina Ma Essai Essai
Bato Herna Timi Lai
Timi Kaha Chau Bhani
Khoji Rahana Yaha
Laijau Malai
Kahi Tadha – Sangai Sangai
Eutai Bato Hidaau Aba

Taaksang Aang Tho Tho Thegu Kokma
Lurang Himle Aakhe Chowkma
Segufung Sokhek Sangai Faangda
Ninwamba Paanha Chengai Faangda

Pugdaina Aaba Malai
Kewal Timro Samjhana Le
Aakash Ko Tara Ganna
Rojdaina Aaba Maan Le
Aau Na, Laijau Malai
Laijau Laijau Malai
Katai Kahi Tadha Tadha
Timi Ra Ma

Ma Timrai Nai Huu
Laijau Malai Kaatai Kahi
Tadha Tadha Aahaa Haa Haa Haii

Baadal 

Baadal le chekeko aandhero aakash
Yesmai ho khojeko maile prakash
(Baadal lai paanchai, aatyachar dhalaai
Swarga sansaar banaune cha mero biswash
Mero biswaash) x2

Nari huu ma, sunna mero aawaj
Aawaj matra hoina aadheri pukaar
(Badal lai panchaai, atyaachar dhalai
Swarga sansaar banaune cha mero biswash
Mero biswaash) x3

Baadal le ghereko andhero aakash
Yesmaai ho khojeko maile dubdaai
(Baadal lai panchaai, atyaachar dhalai
Swarga sansaar banaune cha mero biswash
Mero biswaash!) x2

Hawa Huree

डाफे खेल्ने, गुराँस फुल्ने ,
ताप फुल्ने मेरो देश
आउ है मैया नाचौ न छमछमी

Dm    F   A#      C
Yo Haaa hooooooo…..
Dm            F                      A#
ती मिठा पलहरु याद आउँछ मलाई
…………….C
एकान्तमा सधै
Dm                      F
समय कस्लाई कुर्छ र ?
…………..A#                  C
चाहेका कुरा कस्लाई पुग्छ र hoo ?
Dm               F
आहै लैजाउला हावा हुरिले
…………….A#               C
हावा हुरिले तिम्रो लजालु जोवनलाई
Dm               F
आहै लैजाउला हावा हुरिले
A#              C
तिम्रो लजालु जोवनलाई

Dm                        F
शितल पवनको छाँयामा,
………………..A#                         C
अतितको यादमा, तिम्रो त्यो मुस्कानमा
Dm             F              A#
मस्त माया हाम्रो फ़ुलेन किन
…………C
मुटुमा तिम्रो
Dm               F
आहै लैजाउला हावा हुरिले
…………….A#               C
हावा हुरिले तिम्रो लजालु जोवनलाई
Dm               F
आहै लैजाउला हावा हुरिले
A#              C
तिम्रो लजालु जोवनलाई
..Dm        F            A#           C
[ लै लै बरि, लै लै बरि, लै लै बरि, लै ] -2

Dm
मौसम जस्तो तिम्रो मन
F
वसन्त झै आएथेउ
A#                       C
शिशिर बनी गयौं नि राजै

Dm
मौसम जस्तो तिम्रो मन
F
वसन्त झै आएथेउ
A#                       C
शिशिर बनी गयौं नि राजै
Dm
डाफे खेल्ने, गुराँस फुल्ने,
ताप फुल्ने मेरो देश
आउ है मैया नाचौ न छमछमी
बारुली कम्मर भाचौ न छमछमी (हुर हुर)
..Dm        F            A#           C
[ लै लै बरि, लै लै बरि, लै लै बरि, लै ] -2
[ Dm
मौसम जस्तो तिम्रो मन
F
वसन्त झै आएथेउ
A#                       C
शिशिर बनी गयौं नि राजै ] – 2 लै

Chha Mero Aru Sansaar

Gm              F
Nasocha ki ma,
……………….Cm           F
Timro yaad ma roi rahanchu
Gm                F
Aashu le haaso lai
………….Cm     F
Chori lagyo vanera
…D#
Bihana ko ghaam sita biujhi
Gm
Sochchu ma sadhaii,
….F
Sadhai ……

A#                           Dm
Cha mero aru sansaar,
…………….D#                      F
Timi bina baachekai chu ma
A#                         Dm
Cha anek aru yaatra,
…………….D#                      F
Timi bina haasekai chu ma
A#                           Dm
Cha mero aru sansaar,
…………….D#                      F
Timi bina baachekai chu ma


Gm              F
Nasocha ki ma,
………………..Cm              F
Timro yaad ma tadpi rahanchu
Gm              F
Raata ko siraani,
…………………Cm      F
Bhijyo mero aashu le
…D#
Bihana ko ghaam sita biujhi
Gm
Sochchu ma sadhaii,
….F
Sadhai ……

A#                           Dm
Cha mero aru sansaar,
…………….D#                      F
Timi bina baachekai chu ma
A#                         Dm
Cha anek aru yaatra,
…………….D#                      F
Timi bina haasekai chu ma
A#                           Dm
Cha mero aru sansaar,
…………….D#                      F
Timi bina baachekai chu ma

Verse 3

D
Saacho kura vanu vane
……….Gm
Timro yaad le sataucha
D
Ma timro navaye pani
…….Gm
Chahanchu timro safaltaa
D#
Jaha jaau wahi roshni
…F
Jaha jaau wahi prashanshaa



A#                            Dm
Chha mero aru sansaar,
…………….D#                      F
Timi bina baachekai chu ma
A#                         Dm
Chha anek aru yaatra,
…………….D#                      F
Timi bina haasekai chu ma
A#                             Dm
Chha mero aru sansaar,
…………….D#                      F
Timi bina baachekai chu ma
A#                         Dm
Chha anek aru yaatra,
…………….D#                      F
Timi bina haasekai chu ma
Chha …

Timro Lagi

.Gm              Cm             A#
[ Hoo, timro lagi saara sansaar
………….D7
Bhulaai dinchu ma
Gm              Cm             A#
Hoo, timro lagi saara sansaar
………..D7
Tyaagi dinchu ma ] – 2

Verse 1

Gm               Cm
Maagi hera timro laagi
A#                D7
Saara khusi sumpi dinchu
Gm          Cm
Aaye jati baadhaa bandhan
A#                      D7
Timrai nimti sahi dinchu

Gm             Cm            A#
Oo.. timro lagi saara sansaar
………….D7
Bhulaai dinchu ma
Gm              Cm             A#
Hoo, timro lagi saara sansaar
………..D7
Tyaagi dinchu ma

Gm     Cm      A#        D7
Saara, saara, saaraa hmm…
Gm               Cm             A#
Hoo.. timro lagi saara sansaar
………..D7
Tyaagi dinchu ma

Gm               Cm
Eklo hudaa timi lai
A#           D7
Aad dine mai ta hunchu
Gm                Cm
Aashu puchi timraaa
A#               D7
Pyaar dine mai ta hunchu

Gm               Cm             A#
Ooo.. timro lagi saara sansaar
………..D7
Tyaagi dinchu ma
Gm
Timro lagi saara sansaar
………….Cm
Bhulaai dinchu ma
………..A#
Tyaagi dinchu ma
………….D7
Bhulaai dinchu ma
Gm               Cm            A#
Hoo.. timro lagi saara sansaar
………….D7
Bhulaai dinchu ma
Gm              Cm
Timro lagi, saara sansaar
A#
Bhulaai dinchu,
D7
Tyaagi dinchu ma


Gm                           Cm
Timi sanga yaatra garna chahanchu
A#                            D7
Timro jiwan lai singaarna chahanchu
Gm                           Cm
Timi sanga yaatra garna chahanchu
A#                            D7
Timro jiwan lai singaarna chahanchu

Gm               Cm
Maagi hera timro laagi
A#                D7
Saara khusi sumpi dinchu
Gm          Cm
Aaye jati baadhaa bandhan
A#                      D7
Timrai nimti sahi dinchu

Gm             Cm            A#
Oo.. timro lagi saara sansaar
………….D7
Bhulaai dinchu ma
Gm              Cm             A#
Hoo, timro lagi saara sansaar
………..D7
Tyaagi dinchu ma

Gm
Yessai yo sansaar lai
Cm
Bhulaai nai dinchu
A#
Tyaagi nai dinchu
D7
Bhulaai nai dinchu

Hooo hooo hoo hoo ……..

Sadhai Sadhai 

E            G#m  C#m
Sadhai sadhai muskaan rahos
F#m      B    E
Timro ooth maa
E            G#m  C#m
Sadhai sadhai khushi basos
F#m       B    E
Timro mutu maa
E            G#m  C#m
Sadhai sadhai muskaan rahos
F#m      B    E
Timro ooth maa
E            G#m  C#m
Sadhai sadhai khushi basos
F#m       B    E         B7
Timro mutu maa

Asus2         G#m
Safaltaa le chumi rahos
C#7                F#m
Harek pailaa maa
F#m               E
Taaraa haru chamki rahos
C#7           F#m    B7
Bhawisya maa

E            G#m  C#m
Sadhai sadhai chaayi rahos
F#m     B    E
Yoban timi maa
E            G#m  C#m
Sadhai sadhai gunji rahos
F#m          B      E         B7
Yo dhun mann maa

Asus2              G#m
Himaal jastai atal rahos
C#7                    F#m
Timraa bhaawanaa
F#m               E
Saagar jastai faili rahos
C#7                     F#m     B7
Timraa pradristhaa …


E            G#m  C#m
Sadhai sadhai muskaan rahos
F#m      B    E
Timro ooth maa
E            G#m  C#m
Sadhai sadhai khushi basos
F#m       B    E        B7
Timro mutu maa

Asus2         G#m
Safaltaa le chumi rahos
C#7                F#m
Harek pailaa maa
F#m               E
Taaraa haru chamki rahos
C#7           F#m    B7
Bhawisya maa

D                      A#
Himaal jastai atal rahos
F                      C
Timro bhaawanaa
D                     A#
Saagar jastai faili rahos
F                        C
Timraa pradristhaa …
D                 A#
Safaltaa le chumi rahos
F                     C
Harek pailaa maa
D                  A#
Taara haru chamki rahos
F                C
Bhawisya maa

E            G#m  C#m
Sadhai sadhai muskaan rahos
F#m      B    E
Timro ooth maa
E            G#m  C#m
Sadhai sadhai khushi basos
F#m       B    E
Timro mutu maa
E            G#m  C#m
Sadhai sadhai gunji rahos
Yo dhun mann maa

Sakdina

C#m                 B
..Shunyata ko pal maa
……..A          G#m   F#m
Kuri base ma
C#m                 B
..Timro kalpanaa maa
……..A          G#m   F#m
Dubi base ma
C#m                B
Ekaanta maa sadhai
………….A          G#m   F#m
Thaami base chu
C#m                 B
Timro chaahanaa maa
……..A          G#m   F#m
Jali rahanchu ma

C#m              A     B
Sakdina aba ma
C#m                    A     B
Maanena mero mana
C#m                A     B
Sakdina timi binaa
C#m                 A       B
Choddina timro yaada

Verse 2

C#m             B
Aljhi base chu
……….A            G#m   F#m
Timro yaad maa
C#m             B
Vari deu na ritta pan lai
..A        G#m   F#m
Timi le
C#m                 B
Malai bujhaai deu na
………..A          G#m   F#m
Timro rahasya
C#m              B
Tadhpi base andhyaaro
A            G#m   F#m
Raata maa

C#m              A     B
Sakdina aba ma
C#m                    A     B
Maanena mero mana
C#m                A     B
Sakdina timi binaa
C#m                 A       B
Choddina timro yaada
A                  B
……… Aa uu …


C#m              A     B
Sakdina aba ma
C#m                    A     B
Maanena mero mana
C#m                A     B
Sakdina timi binaa
C#m                 A       B
Choddina timro yaada

Verse 3

C#m          B
Aashu ko yaha kehi
A               G#m   F#m
Chaina artha
C#m         B
Byertha raicha timro
A            G#m   F#m
Mero katha
C#m           B
Tara kina laagcha malai
A              G#m   F#m
Timro aashaa
C#m            B
Bagdaina mero mann maa
A                  G#m   F#m
Prem ko nashaa

..C#m              A     B
[ Sakdina aba ma
C#m                    A     B
Maanena mero mana
C#m                A     B
Sakdina timi binaa
C#m                 A       B
Choddina timro yaada ] – 2

Siri ma Siri 

Siri ma siri
Hawa nai chalyo
Pahad parwat maa
Batashai aayo
Siri ma siri
Hawa nai chalyo
Samaya le hami lai
Uudhaayo …

C
Baato baato maa
Em
Aljhi rahecha
C
Sapanaa ko saacho
……..Em
Kahi haraayecha
C
Saathi sangi haru
Em
Chuttiyecha
…..C
Yo parkhaai le hami lai
Em
Dhokaa diyecha

Em
Siri ma siri
Em
Hawa nai chalyo
Em
Pahad parwat maa
Em
Batashai aayo
Em
Siri ma siri
Em
Hawa nai chalyo
Em
Samaya le hami lai
Em                   C    D    Em
Uudhaayo o o ooo…

Verse 2

C
Andhakaar lai sahi
Em
Baachna paarecha
C
Aashaa ko aad maa
…..Em
Yo jiwan bitecha
C
Ainaa herda
……..Em
Kahi aru dekhincha
…..C
Yo parkhaai le
……………D
Hami lai dhokaa diyecha

Em
Siri ma siri
Em
Hawa nai chalyo
Em
Pahad parwat maa
Em
Batashai aayo
Em
Siri ma siri
Em
Hawa nai chalyo
Em
Samaya le hami lai
Em
Uudhaayo … heeee

Music:

………..C
Hamro samaya le yaha
Em
Dhokaa diyecha
C
Parkhi basna hamro
Em
Bhul vayecha
C
Garu kehi vandaa vandai
Em
Samaya bitecha
……C
Yo pakhaai le
…………….D
Haami lai dhokaa diyecha

Em
Siri ma siri
Em
Hawa nai chalyo
Em
Pahad parwat maa
Em
Batashai aayo
Em
Siri ma siri
Em
Hawa nai chalyo
Em
Samaya le hami lai
Em
Uudhaayo ..
Em
Uudhaayo ..

Baasa Ko Ghari a

C                         Em
Baasa ko ghari rumaal boki
Am                     Am
Tin kune paareko
F                        Em
Kuhu maa ku, Kohili runcha
Dm                 C
Kina hai royeko
C                         Em
Baasa ko ghari rumaal boki
Am                        Am
Aashu hai pucheko
F                                  Em
Aakaash ma baadal garjincha hajur
Dm                   C
Paani hai pareko

G
Ghaama ra paani
F
Hudaa maa hudai
Bm7b5         G
Jobana gayeko
G
Joona ra taaraa
F
Herda maa herdai
Bm7b5        C
Jiwana biteko

C                         Em
Baasa ko ghari rumaal boki
Am                     Am
Tin kune paareko
F                        Em
Kuhu maa ku, Kohili runcha
Dm                 C
Kina hai royeko


Am                    G
Baiguni mayaa le ni yo hajur
Bm7b5              G
Pairaagi banaayo
G                      F
Paani le pani nibhaayo raajai
Bm7b5        C
Jaldo yo joona

C                         Em
Baasa ko ghari rumaal boki
Am                     Am
Tin kune paareko
F                        Em
Kuhu maa ku, Kohili runcha
Dm                 C
Kina hai royeko
C                         Em
Baasa ko ghari rumaal boki
Am                        Am
Aashu hai pucheko
F                                  Em
Aakaash ma baadal garjincha hajur
Dm                   C
Paani hai pareko
F                                  Em
Aakaash ma baadal garjincha hajur
Dm                   C
Paani hai pareko
Dm            C
Joban oileko
Dm                   C
Paani hai pareko

लैजाउ मलाइ

…………….C
आहा हा हा हा हा है,
………Am
लैजाउ मलाइ
……..F                G
कतै कहि टाडा टाडा
…….C              Am
आहा है लैजाउ मलाइ
……..F                G
कतै कहि टाडा टाडा
……..C              Am
थाकी सके कुर्दा कुर्दै
……..F                     G
अल्झिएका ति सपना प्यारा

C
तेराङे आङ्गाआङ्
Am
पिछिरो माङ्घा
F                                                 G
निङ्वाबा पान्हा यरिक वा पा?मा

…………..C             Am
आहाहाहा है तिमी र म
………F               G
जॅाउ कतै टाडा टाडा
……….C            Am
सक्दीन म यसै यसै
……….F
बाटो हेर्न तिमिलाइ
तिमि कहा छौ भनी
G
खोजी रहन याहा
…………C
लैजाउ मलाइ
……….Am         F
कहि टाडा – संगै संगै
……….G
एउटै बाटो
……..C
हिडौ अब

C
तक्सङ् आङ् थो थो थेगु कोक्मा
Am
लुङ्मारक् हिम्लो आखे चोक्मा
F
सेगेफुङ सेक्खेक सेङ्मै फाआङ्
G
निङ्वाबा पान्हा चेङ्मै फाआङ्

C
पुग्दैन अब मलाइ
Am
केवल तिम्रो सम्झनाले
C
आकाश को तारा गन्न
Am
रोज्दैन अब मनले
F                         G
आउ न, लैजाउ मलाइ
……………………C
लैजाउ – लैजाउ मलाइ
………Am          F
कतै कहि टाडा टाडा
………G
तिमि र म
…………C
म तिम्रै नै हु
……….Am            F
लैजाउ मलाइ कतै कहि
……..G                    C
टाडा टाडा अहाहाहा है

 Reference

https://easyayurveds.com/ayurvedic-medicine-for-diarrhea/ 
https://easyayurveds.com/ayurvedic-treatment-of-migraines-and-headache/

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Yo Mero Topi Ho By Gopal Yonjan