Abhaya Subba's songs are a tapestry woven from the threads of her personal experiences, social observations, and artistic vision. With a lyrical style that is both introspective and socially conscious, Abhaya explores themes of identity, empowerment, and social justice. Her lyrics are often poetic and evocative, drawing listeners into a world of raw emotion and profound reflection. Accompanied by the rich melodies and intricate chord progressions of her music, Abhaya's songs are a testament to her musical prowess and creative depth. From anthems of empowerment to poignant ballads of love and loss, each song is a window into the soul of an artist unafraid to confront the complexities of the human experience.
Abhaya Subba: The Trailblazing Voice of Nepali Rock
In the vibrant tapestry of Nepali music, few voices resonate
with the same boldness and innovation as that of Abhaya Subba. As the
frontwoman of the iconic rock band Abhaya & the Steam Injuns, she has
carved a path through the industry, challenging norms, inspiring countless
others, and leaving an indelible mark on the Nepali music scene.
Early Beginnings and Musical Awakening
Abhaya Subba's journey into the world of music began long
before she took center stage as a rockstar. Born and raised in Nepal, her love
for music was fostered by her father, who ignited her passion from a young age.
With a supportive family behind her, Abhaya embarked on a journey that would
see her become a pioneer in Nepali rock music.
Her formal education took her to St. Xavier's College in
Mumbai, where she pursued a degree in law. Yet, it was the call of music that
truly captured her heart. During her time in India, she became involved with
local bands like Parikrama, Red Skywalkers, and Panchatatva, honing her craft
and laying the groundwork for her future endeavors.
Breaking Barriers and Forging a Path
Abhaya's ascent in the music industry was not without its
challenges. In a landscape dominated by male voices, she stood out as a rare
female presence in the world of rock music. Undeterred by the lack of
representation, she blazed a trail, breaking stereotypes and defying
expectations every step of the way.
It was in 2003 that Abhaya took the leap and formed her own
band, Abhaya & the Steam Injuns. This bold move marked the beginning of a
new chapter in her musical journey—one defined by creativity, passion, and
unwavering determination.
With a lineup of talented musicians by her side, including
Rinchen Palzar, Nabin Lama, Birat Shrestha, and Ajit Tamang, Abhaya set out to
redefine the Nepali music scene. Their fusion of blues, rock, and contemporary
influences captivated audiences, earning them widespread acclaim and
recognition.
A Musical Odyssey: From Acclaim to Adversity
The journey of Abhaya & the Steam Injuns has been one of
highs and lows, triumphs and tribulations. From their humble beginnings playing
live gigs in hotels and bars to gracing international stages, the band has left
an indelible mark on the global music landscape.
Their self-titled debut album, released in 2005, sent shockwaves
through the Nepali music scene, introducing audiences to a bold new sound.
Songs like 'Hami Sabai Nepali' became anthems of empowerment, resonating with
listeners across generations.
The success of their debut was followed by the
groundbreaking album 'Nayan' in 2008, further solidifying their reputation as
trailblazers of Nepali rock. Awards and accolades poured in, cementing their
status as one of the country's premier musical acts.
However, the path to success was not without its obstacles.
Despite their achievements, Abhaya and her bandmates faced skepticism and
resistance from within the industry. As a female-fronted band in a
male-dominated industry, they had to fight twice as hard for recognition and
respect.
Yet, through it all, Abhaya remained undaunted, driven by a
passion for music and a commitment to her craft. Her resilience in the face of
adversity serves as a testament to her unwavering dedication and determination.
Beyond the Stage: Empowering Women in Music
For Abhaya, music is more than just a creative outlet—it's a
platform for social change and empowerment. In 2003, she founded the 'Women in
Concert' initiative, aimed at providing aspiring female musicians with the
support and resources they need to succeed in the industry.
Through workshops, mentorship programs, and live
performances, 'Women in Concert' has become a beacon of hope for countless
aspiring artists, helping to break down barriers and pave the way for a more
inclusive and diverse music scene.
Abhaya's commitment to empowering women in music reflects
her broader vision of a world where creativity knows no bounds and where every
voice is heard and celebrated.
A Legacy of Innovation and Inspiration
As Abhaya Subba continues to push the boundaries of Nepali
music, her legacy grows ever stronger. From her early days as a budding
musician to her current status as a rock icon, she has remained true to her
vision, unapologetically forging her own path and inspiring others to do the
same.
Through her music, her advocacy, and her unwavering
commitment to her art, Abhaya Subba has left an indelible mark on the Nepali
music scene and beyond. Her journey is a testament to the power of
perseverance, passion, and the unyielding belief in the transformative power of
music.
Abhaya Subba: The Trailblazing Voice of Nepali Rock
In the vibrant tapestry of Nepali music, few voices resonate
with the same boldness and innovation as that of Abhaya Subba. As the
frontwoman of the iconic rock band Abhaya & the Steam Injuns, she has
carved a path through the industry, challenging norms, inspiring countless
others, and leaving an indelible mark on the Nepali music scene.
Early Beginnings and Musical Awakening
Abhaya Subba's journey into the world of music began long
before she took center stage as a rockstar. Born and raised in Nepal, her love
for music was fostered by her father, who ignited her passion from a young age.
With a supportive family behind her, Abhaya embarked on a journey that would
see her become a pioneer in Nepali rock music.
Her formal education took her to St. Xavier's College in
Mumbai, where she pursued a degree in law. Yet, it was the call of music that
truly captured her heart. During her time in India, she became involved with
local bands like Parikrama, Red Skywalkers, and Panchatatva, honing her craft
and laying the groundwork for her future endeavors.
Breaking Barriers and Forging a Path
Abhaya's ascent in the music industry was not without its
challenges. In a landscape dominated by male voices, she stood out as a rare
female presence in the world of rock music. Undeterred by the lack of
representation, she blazed a trail, breaking stereotypes and defying
expectations every step of the way.
It was in 2003 that Abhaya took the leap and formed her own
band, Abhaya & the Steam Injuns. This bold move marked the beginning of a
new chapter in her musical journey—one defined by creativity, passion, and
unwavering determination.
With a lineup of talented musicians by her side, including
Rinchen Palzar, Nabin Lama, Birat Shrestha, and Ajit Tamang, Abhaya set out to
redefine the Nepali music scene. Their fusion of blues, rock, and contemporary
influences captivated audiences, earning them widespread acclaim and
recognition.
A Musical Odyssey: From Acclaim to Adversity
The journey of Abhaya & the Steam Injuns has been one of
highs and lows, triumphs and tribulations. From their humble beginnings playing
live gigs in hotels and bars to gracing international stages, the band has left
an indelible mark on the global music landscape.
Their self-titled debut album, released in 2005, sent
shockwaves through the Nepali music scene, introducing audiences to a bold new
sound. Songs like 'Hami Sabai Nepali' became anthems of empowerment, resonating
with listeners across generations.
The success of their debut was followed by the
groundbreaking album 'Nayan' in 2008, further solidifying their reputation as
trailblazers of Nepali rock. Awards and accolades poured in, cementing their
status as one of the country's premier musical acts.
However, the path to success was not without its obstacles.
Despite their achievements, Abhaya and her bandmates faced skepticism and
resistance from within the industry. As a female-fronted band in a
male-dominated industry, they had to fight twice as hard for recognition and
respect.
Yet, through it all, Abhaya remained undaunted, driven by a
passion for music and a commitment to her craft. Her resilience in the face of
adversity serves as a testament to her unwavering dedication and determination.
Beyond the Stage: Empowering Women in Music
For Abhaya, music is more than just a creative outlet—it's a
platform for social change and empowerment. In 2003, she founded the 'Women in
Concert' initiative, aimed at providing aspiring female musicians with the
support and resources they need to succeed in the industry.
Through workshops, mentorship programs, and live
performances, 'Women in Concert' has become a beacon of hope for countless aspiring
artists, helping to break down barriers and pave the way for a more inclusive
and diverse music scene.
Abhaya's commitment to empowering women in music reflects
her broader vision of a world where creativity knows no bounds and where every
voice is heard and celebrated.
A Legacy of Innovation and Inspiration
As Abhaya Subba continues to push the boundaries of Nepali
music, her legacy grows ever stronger. From her early days as a budding
musician to her current status as a rock icon, she has remained true to her
vision, unapologetically forging her own path and inspiring others to do the
same.
Through her music, her advocacy, and her unwavering
commitment to her art, Abhaya Subba has left an indelible mark on the Nepali
music scene and beyond. Her journey is a testament to the power of
perseverance, passion, and the unyielding belief in the transformative power of
music.
n the world of Nepali music, Abhaya Subba's songs stand as
powerful testaments to her creativity, passion, and unwavering commitment to
her craft. With lyrics that speak to the human experience and chords that
resonate with emotion, her music has captivated audiences and inspired
countless listeners. From anthems of empowerment to songs of love and longing,
Abhaya's lyrics and chords weave together to create a tapestry of sound that
transcends language and culture. As she continues to push the boundaries of
creativity and innovation, her songs will undoubtedly continue to resonate with
audiences for generations to come.
Laijau MalaiAahaa Haa Haa Haa Haa Hai, Laijau Malai Katai Kahi Tadha Tadha Aahaa Laijau Malai Katai Kahi Tadha Tadha Thaki Sake Kurda Kurdai Aljhiyeka Sapana Pyara Terange Aanga Aanga Pichiro Mangha (Laijau Malai Jaau Tadha) Ninwamba Paanha Yarika Wa Pa Ma Maanko Kura Dherai Cha Garnu Bhannu Aahaa Haa Haa Hai Timi Ra Ma Jaau Katai Tadha Tadha Sakdina Ma Essai Essai Bato Herna Timi Lai Timi Kaha Chau Bhani Khoji Rahana Yaha Laijau Malai Kahi Tadha – Sangai Sangai Eutai Bato Hidaau Aba Taaksang Aang Tho Tho Thegu Kokma Lurang Himle Aakhe Chowkma Segufung Sokhek Sangai Faangda Ninwamba Paanha Chengai Faangda Pugdaina Aaba Malai Kewal Timro Samjhana Le Aakash Ko Tara Ganna Rojdaina Aaba Maan Le Aau Na, Laijau Malai Laijau Laijau Malai Katai Kahi Tadha Tadha Timi Ra Ma Ma Timrai Nai Huu Laijau Malai Kaatai Kahi Tadha Tadha Aahaa Haa Haa Haii |
BaadalBaadal le chekeko aandhero aakash Yesmai ho khojeko maile prakash (Baadal lai paanchai, aatyachar dhalaai Swarga sansaar banaune cha mero biswash Mero biswaash) x2 Nari huu ma, sunna mero aawaj Aawaj matra hoina aadheri pukaar (Badal lai panchaai, atyaachar dhalai Swarga sansaar banaune cha mero biswash Mero biswaash) x3 Baadal le ghereko andhero aakash Yesmaai ho khojeko maile dubdaai (Baadal lai panchaai, atyaachar dhalai Swarga sansaar banaune cha mero biswash Mero biswaash!) x2 |
Hawa Hureeडाफे खेल्ने, गुराँस फुल्ने , ताप फुल्ने मेरो देश आउ है मैया नाचौ न छमछमी Dm F A# C Yo Haaa hooooooo….. Dm F A# ती मिठा पलहरु याद आउँछ मलाई …………….C एकान्तमा सधै Dm F समय कस्लाई कुर्छ र ? …………..A# C चाहेका कुरा कस्लाई पुग्छ र hoo ? Dm F आहै लैजाउला हावा हुरिले …………….A# C हावा हुरिले तिम्रो लजालु जोवनलाई Dm F आहै लैजाउला हावा हुरिले A# C तिम्रो लजालु जोवनलाई Dm F शितल पवनको छाँयामा, ………………..A# C अतितको यादमा, तिम्रो त्यो मुस्कानमा Dm F A# मस्त माया हाम्रो फ़ुलेन किन …………C मुटुमा तिम्रो Dm F आहै लैजाउला हावा हुरिले …………….A# C हावा हुरिले तिम्रो लजालु जोवनलाई Dm F आहै लैजाउला हावा हुरिले A# C तिम्रो लजालु जोवनलाई ..Dm F A# C [ लै लै बरि, लै लै बरि, लै लै बरि, लै ] -2 Dm मौसम जस्तो तिम्रो मन F वसन्त झै आएथेउ A# C शिशिर बनी गयौं नि राजै Dm मौसम जस्तो तिम्रो मन F वसन्त झै आएथेउ A# C शिशिर बनी गयौं नि राजै Dm डाफे खेल्ने, गुराँस फुल्ने, ताप फुल्ने मेरो देश आउ है मैया नाचौ न छमछमी बारुली कम्मर भाचौ न छमछमी (हुर हुर) ..Dm F A# C [ लै लै बरि, लै लै बरि, लै लै बरि, लै ] -2 [ Dm मौसम जस्तो तिम्रो मन F वसन्त झै आएथेउ A# C शिशिर बनी गयौं नि राजै ] – 2 लै |
Chha Mero Aru SansaarGm F Nasocha ki ma, ……………….Cm F Timro yaad ma roi rahanchu Gm F Aashu le haaso lai ………….Cm F Chori lagyo vanera …D# Bihana ko ghaam sita biujhi Gm Sochchu ma sadhaii, ….F Sadhai …… A# Dm Cha mero aru sansaar, …………….D# F Timi bina baachekai chu ma A# Dm Cha anek aru yaatra, …………….D# F Timi bina haasekai chu ma A# Dm Cha mero aru sansaar, …………….D# F Timi bina baachekai chu ma Gm F Nasocha ki ma, ………………..Cm F Timro yaad ma tadpi rahanchu Gm F Raata ko siraani, …………………Cm F Bhijyo mero aashu le …D# Bihana ko ghaam sita biujhi Gm Sochchu ma sadhaii, ….F Sadhai …… A# Dm Cha mero aru sansaar, …………….D# F Timi bina baachekai chu ma A# Dm Cha anek aru yaatra, …………….D# F Timi bina haasekai chu ma A# Dm Cha mero aru sansaar, …………….D# F Timi bina baachekai chu ma Verse 3 D Saacho kura vanu vane ……….Gm Timro yaad le sataucha D Ma timro navaye pani …….Gm Chahanchu timro safaltaa D# Jaha jaau wahi roshni …F Jaha jaau wahi prashanshaa A# Dm Chha mero aru sansaar, …………….D# F Timi bina baachekai chu ma A# Dm Chha anek aru yaatra, …………….D# F Timi bina haasekai chu ma A# Dm Chha mero aru sansaar, …………….D# F Timi bina baachekai chu ma A# Dm Chha anek aru yaatra, …………….D# F Timi bina haasekai chu ma Chha … |
Timro Lagi.Gm Cm A# [ Hoo, timro lagi saara sansaar ………….D7 Bhulaai dinchu ma Gm Cm A# Hoo, timro lagi saara sansaar ………..D7 Tyaagi dinchu ma ] – 2 Verse 1 Gm Cm Maagi hera timro laagi A# D7 Saara khusi sumpi dinchu Gm Cm Aaye jati baadhaa bandhan A# D7 Timrai nimti sahi dinchu Gm Cm A# Oo.. timro lagi saara sansaar ………….D7 Bhulaai dinchu ma Gm Cm A# Hoo, timro lagi saara sansaar ………..D7 Tyaagi dinchu ma Gm Cm A# D7 Saara, saara, saaraa hmm… Gm Cm A# Hoo.. timro lagi saara sansaar ………..D7 Tyaagi dinchu ma Gm Cm Eklo hudaa timi lai A# D7 Aad dine mai ta hunchu Gm Cm Aashu puchi timraaa A# D7 Pyaar dine mai ta hunchu Gm Cm A# Ooo.. timro lagi saara sansaar ………..D7 Tyaagi dinchu ma Gm Timro lagi saara sansaar ………….Cm Bhulaai dinchu ma ………..A# Tyaagi dinchu ma ………….D7 Bhulaai dinchu ma Gm Cm A# Hoo.. timro lagi saara sansaar ………….D7 Bhulaai dinchu ma Gm Cm Timro lagi, saara sansaar A# Bhulaai dinchu, D7 Tyaagi dinchu ma Gm Cm Timi sanga yaatra garna chahanchu A# D7 Timro jiwan lai singaarna chahanchu Gm Cm Timi sanga yaatra garna chahanchu A# D7 Timro jiwan lai singaarna chahanchu Gm Cm Maagi hera timro laagi A# D7 Saara khusi sumpi dinchu Gm Cm Aaye jati baadhaa bandhan A# D7 Timrai nimti sahi dinchu Gm Cm A# Oo.. timro lagi saara sansaar ………….D7 Bhulaai dinchu ma Gm Cm A# Hoo, timro lagi saara sansaar ………..D7 Tyaagi dinchu ma Gm Yessai yo sansaar lai Cm Bhulaai nai dinchu A# Tyaagi nai dinchu D7 Bhulaai nai dinchu Hooo hooo hoo hoo …….. |
Sadhai SadhaiE G#m C#m Sadhai sadhai muskaan rahos F#m B E Timro ooth maa E G#m C#m Sadhai sadhai khushi basos F#m B E Timro mutu maa E G#m C#m Sadhai sadhai muskaan rahos F#m B E Timro ooth maa E G#m C#m Sadhai sadhai khushi basos F#m B E B7 Timro mutu maa Asus2 G#m Safaltaa le chumi rahos C#7 F#m Harek pailaa maa F#m E Taaraa haru chamki rahos C#7 F#m B7 Bhawisya maa E G#m C#m Sadhai sadhai chaayi rahos F#m B E Yoban timi maa E G#m C#m Sadhai sadhai gunji rahos F#m B E B7 Yo dhun mann maa Asus2 G#m Himaal jastai atal rahos C#7 F#m Timraa bhaawanaa F#m E Saagar jastai faili rahos C#7 F#m B7 Timraa pradristhaa … E G#m C#m Sadhai sadhai muskaan rahos F#m B E Timro ooth maa E G#m C#m Sadhai sadhai khushi basos F#m B E B7 Timro mutu maa Asus2 G#m Safaltaa le chumi rahos C#7 F#m Harek pailaa maa F#m E Taaraa haru chamki rahos C#7 F#m B7 Bhawisya maa D A# Himaal jastai atal rahos F C Timro bhaawanaa D A# Saagar jastai faili rahos F C Timraa pradristhaa … D A# Safaltaa le chumi rahos F C Harek pailaa maa D A# Taara haru chamki rahos F C Bhawisya maa E G#m C#m Sadhai sadhai muskaan rahos F#m B E Timro ooth maa E G#m C#m Sadhai sadhai khushi basos F#m B E Timro mutu maa E G#m C#m Sadhai sadhai gunji rahos Yo dhun mann maa |
SakdinaC#m B ..Shunyata ko pal maa ……..A G#m F#m Kuri base ma C#m B ..Timro kalpanaa maa ……..A G#m F#m Dubi base ma C#m B Ekaanta maa sadhai ………….A G#m F#m Thaami base chu C#m B Timro chaahanaa maa ……..A G#m F#m Jali rahanchu ma C#m A B Sakdina aba ma C#m A B Maanena mero mana C#m A B Sakdina timi binaa C#m A B Choddina timro yaada Verse 2 C#m B Aljhi base chu ……….A G#m F#m Timro yaad maa C#m B Vari deu na ritta pan lai ..A G#m F#m Timi le C#m B Malai bujhaai deu na ………..A G#m F#m Timro rahasya C#m B Tadhpi base andhyaaro A G#m F#m Raata maa C#m A B Sakdina aba ma C#m A B Maanena mero mana C#m A B Sakdina timi binaa C#m A B Choddina timro yaada A B ……… Aa uu … C#m A B Sakdina aba ma C#m A B Maanena mero mana C#m A B Sakdina timi binaa C#m A B Choddina timro yaada Verse 3 C#m B Aashu ko yaha kehi A G#m F#m Chaina artha C#m B Byertha raicha timro A G#m F#m Mero katha C#m B Tara kina laagcha malai A G#m F#m Timro aashaa C#m B Bagdaina mero mann maa A G#m F#m Prem ko nashaa ..C#m A B [ Sakdina aba ma C#m A B Maanena mero mana C#m A B Sakdina timi binaa C#m A B Choddina timro yaada ] – 2 |
Siri ma SiriSiri ma siri Hawa nai chalyo Pahad parwat maa Batashai aayo Siri ma siri Hawa nai chalyo Samaya le hami lai Uudhaayo … C Baato baato maa Em Aljhi rahecha C Sapanaa ko saacho ……..Em Kahi haraayecha C Saathi sangi haru Em Chuttiyecha …..C Yo parkhaai le hami lai Em Dhokaa diyecha Em Siri ma siri Em Hawa nai chalyo Em Pahad parwat maa Em Batashai aayo Em Siri ma siri Em Hawa nai chalyo Em Samaya le hami lai Em C D Em Uudhaayo o o ooo… Verse 2 C Andhakaar lai sahi Em Baachna paarecha C Aashaa ko aad maa …..Em Yo jiwan bitecha C Ainaa herda ……..Em Kahi aru dekhincha …..C Yo parkhaai le ……………D Hami lai dhokaa diyecha Em Siri ma siri Em Hawa nai chalyo Em Pahad parwat maa Em Batashai aayo Em Siri ma siri Em Hawa nai chalyo Em Samaya le hami lai Em Uudhaayo … heeee Music: ………..C Hamro samaya le yaha Em Dhokaa diyecha C Parkhi basna hamro Em Bhul vayecha C Garu kehi vandaa vandai Em Samaya bitecha ……C Yo pakhaai le …………….D Haami lai dhokaa diyecha Em Siri ma siri Em Hawa nai chalyo Em Pahad parwat maa Em Batashai aayo Em Siri ma siri Em Hawa nai chalyo Em Samaya le hami lai Em Uudhaayo .. Em Uudhaayo .. |
Baasa Ko Ghari aC Em Baasa ko ghari rumaal boki Am Am Tin kune paareko F Em Kuhu maa ku, Kohili runcha Dm C Kina hai royeko C Em Baasa ko ghari rumaal boki Am Am Aashu hai pucheko F Em Aakaash ma baadal garjincha hajur Dm C Paani hai pareko G Ghaama ra paani F Hudaa maa hudai Bm7b5 G Jobana gayeko G Joona ra taaraa F Herda maa herdai Bm7b5 C Jiwana biteko C Em Baasa ko ghari rumaal boki Am Am Tin kune paareko F Em Kuhu maa ku, Kohili runcha Dm C Kina hai royeko Am G Baiguni mayaa le ni yo hajur Bm7b5 G Pairaagi banaayo G F Paani le pani nibhaayo raajai Bm7b5 C Jaldo yo joona C Em Baasa ko ghari rumaal boki Am Am Tin kune paareko F Em Kuhu maa ku, Kohili runcha Dm C Kina hai royeko C Em Baasa ko ghari rumaal boki Am Am Aashu hai pucheko F Em Aakaash ma baadal garjincha hajur Dm C Paani hai pareko F Em Aakaash ma baadal garjincha hajur Dm C Paani hai pareko Dm C Joban oileko Dm C Paani hai pareko |
लैजाउ मलाइ…………….C आहा हा हा हा हा है, ………Am लैजाउ मलाइ ……..F G कतै कहि टाडा टाडा …….C Am आहा है लैजाउ मलाइ ……..F G कतै कहि टाडा टाडा ……..C Am थाकी सके कुर्दा कुर्दै ……..F G अल्झिएका ति सपना प्यारा C तेराङे आङ्गाआङ् Am पिछिरो माङ्घा F G निङ्वाबा पान्हा यरिक वा पा?मा …………..C Am आहाहाहा है तिमी र म ………F G जॅाउ कतै टाडा टाडा ……….C Am सक्दीन म यसै यसै ……….F बाटो हेर्न तिमिलाइ तिमि कहा छौ भनी G खोजी रहन याहा …………C लैजाउ मलाइ ……….Am F कहि टाडा – संगै संगै ……….G एउटै बाटो ……..C हिडौ अब C तक्सङ् आङ् थो थो थेगु कोक्मा Am लुङ्मारक् हिम्लो आखे चोक्मा F सेगेफुङ सेक्खेक सेङ्मै फाआङ् G निङ्वाबा पान्हा चेङ्मै फाआङ् C पुग्दैन अब मलाइ Am केवल तिम्रो सम्झनाले C आकाश को तारा गन्न Am रोज्दैन अब मनले F G आउ न, लैजाउ मलाइ ……………………C लैजाउ – लैजाउ मलाइ ………Am F कतै कहि टाडा टाडा ………G तिमि र म …………C म तिम्रै नै हु ……….Am F लैजाउ मलाइ कतै कहि ……..G C टाडा टाडा अहाहाहा है |
Reference
https://easyayurveds.com/ayurvedic-medicine-for-diarrhea/Medicinal Plants for skin Burns
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